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James Ferraro

AKA: Xerox Kamikaze,  The Wooden Cupboard,  Teotihuacán,  Symbio Dome,  Suki Girlz,  Snake Figures Fan,  Sky and Mirrorbalm in Preparation for Deja Vu, Rocco Martini,  Purple Gongs,  Peyote Way,  Peyote Cactus Rituals,  Pan Dolphinic Dawn,  Pan als Allgott Saturnia, Nuke Survivor, Noun Cocoon,  Newage Panther Mistique, ☣ New Age Playboy ☣,  Menstrual Chinese Dream, Mavi Blackout,  Liquid Metal,  Lamborghini Crystal, Keyhole Voyeur, J.C. Peavey,  Interstellar Hustle, Gnome Eaters, Gecko Afterlife HD, Cruisin' the Nightbiker Strip 1977,  Composition of the Sensibilities of Melted Knowledge, The Candle Magicians, Bebetune$, Avatar Salad,  Arecaceae,  Angel Snake, Acid Eagle, 8pashupatinath, and Jim Ferraro

About James Ferraro

Somewhere between a manic troubadour, a conceptual artist and a journalist of the Apocalypse, American experimental electronic musician James Ferraro’s albums have gained iconic status since the early 2010s, fluctuating between pop songwriting and the aesthetical avant-garde.

From his surreal and hypnagogic (in particular leading David Keenan to declare his music of the time as being ‘hypnagogic pop’) period of lo-fi music in the 2000s to his more conceptual and emotional works in the present that have delved into R&B, contemporary classical, sound collages and overall avant-garde electronic music, he’s either been the subject of scrutiny from fans who expect him to be consistent, or regarded as a strange but sincere artist expressing social experience and progress in his own way.

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